Stig Lindberg
Apr 23, 2014 | by Becky Oeltjenbruns
Usually the term Renaissance man is most associated with the era that inspired the name, but the 20th century saw rise to that same brand of incredibly creative mind in designer Stig Lindberg. Born in Sweden in the year 1916, Lindberg initially wanted to be a painter but during his long career he left his mark in many realms: ceramics, glass, textiles, product design, and illustrations. You can see how these different artistic influences are expressed in the 1960s example pictured at left, available at RetrOKC. Join us as we learn more about this iconic designer.
Stig Lindberg
Lindberg’s creative path started during his studies at the Swedish Sate School of Arts, Crafts, and Designs. Upon graduating in 1937 he obtained a job as a faience painter at the Gustavsberg pottery factory. His attention to detail, use of playful patterns and colors, and desire to experiment caught the eye of his mentor and boss Wilhelm Kåge. In twelve short years Lindberg was named as his successor and ascended to the role of art director. He would continue to work for Gustavsberg in a leadership capacity for decades, until 1980.
Color, whimsy, nature, patterns, and graceful proportions are the telltale signs of a Lindberg piece. Having this diverse of a calling card made him a very desirable artist and he would often take on commissions outside of his Gustavsberg scope.
His Lustgården (Garden of Eden) textile print is admired by collectors to this day, his 1959 swiveling television set resided in many a living room, and his partnership with author Lennart Hellsing enhanced countless childrens’ books. His freedom of expression and desire to merge art with craft brought him many awards including the 1962 Gold Medal at the first International Ceramics Festival in Prague.
Next time you are looking for a designer who channeled the joyous spirit of the 1950s look no further than a Stig Lindberg creation. While his career spanned many decades, he never strayed far from an expression of happiness and playfulness. Upon leaving Gustavsberg in 1980, Lindberg moved to Italy to establish his own studio. He passed away in 1982, leaving a legacy of beauty that strikes a chord with us today.
Cause A Frockus would like to thank their tremendous resources: RetrOKC, Design House Stockholm, Modernity, Gustavsberg, and the people who post their imagery without restriction.
For our readers: Do you collect Lindberg’s work? If so, what drew you to his creations?